Paolo Gioli Movies

In L’operatore perforato (1979) that plump sprocket hole comes into its own. It multiplies like a virus, riding serenely on the surface, nearly...

Pier Farri's Futurist Europe focuses on Futurism as the first avant-garde film movement in history.

Film made with a tiny pinhole camera and 16mm film.

This digital video arose from the idea of trying to transfer to film all the photographic images I had created with the so-called...

Paolo Gioli's cinematic verification of Edwin H. Land's experiment in color perception.

Executed and printed with two hands, that is to say, made using all possible means of imprinting the right and arm freshly applied ink, sand paper,...

"Faces and figures found on reels of film by an unknown artist from the first few years of the 20th century. I fed the images through what was...

A filmic homage to the German mime Helfrid Foron, a student of Etienne Decroux who worked with acrobats and tight-rope walkers. He frequently...

A reflection on the material, on the filmic support. Strips of figures wander, fluxuate in the whirling kinetic rhythms imposed on them. These faces,...

Composed using three different formats, that have been made to co-exist: super-8, 16mm, and 35mm on a single 16mm support, clear leader. The...

The film relates the beliefs the author held for a certain time concerning water and diving into it. It all begins with a dive and with a whirlpool...

Realized on the occasion of one of my photographic exhibitions of the same title dedicated to the Etruscans of Volterra. I intended to bring alive...

"Duchamp is certainly as complex as Joyce and to do something about him, I tried to dedicate to him this small film poem, using only a few images of...

This film was constructed using the so-called “photo-finish” technique employed in sporting events. The same principle was applied,...

It is known that Muybridge was at the same time a great photographer and a killer, executioner of his wife’s lover and that into his own...

A reflection on the material, on the filmic support. Strips of figures wander, fluxuate in the whirling kinetic rhythms imposed on them. These faces,...

It all started with the notorious Buñuelian sliced eyeball, that surprises us every time. The eye of an ox, but still it's the eye of a woman!...

From old plates of an anonymous photographer who worked in the 50s, I extracted this impossible film (plates that had contributed to the composition...

To split the visual realm in two: one is permeated with a schizo-imaginific detour, the second vibrates in a collateral contrast. When the split...