Gary Hill Movies
- 1978

Mouthpiece
Mouthpiece01978HD
Dave Jones prototype modules (keyers, color field generators, output amplifier), black-and-white camera, microphone and Serge audio modules (voltage...
![Mouthpiece]()
- 1986

URA ARU
URA ARU01986HD
Recorded on location in Japan, this work was inspired by the notion of “acoustic palindromes,” aural versions of written palindromes,...
![URA ARU]()
- 1979

Resolution
Resolution01979HD
A single solid white line rotates 180 degrees, beginning at a vertical position in the middle of the screen. At first, it forms...
![Resolution]()
- 2004

Gary Hill: I Believe It Is an Image
Gary Hill: I Believe It Is an Image02004HD
In this program video artist Gary Hill uses a number of his pieces to investigate otherness and ambiguity, dislocation of the senses, the boundary...
![Gary Hill: I Believe It Is an Image]()
- 1979

Equal Time
Equal Time01979HD
In this work, the field of Hill’s experimentation is the synchronization of visual and linguistic elements. For Equal Time, he sets up a...
![Equal Time]()
- 1980

Project Tesla
Project Tesla01980HD
This rarely screened film was used to raise funds for the making of Energy and How to Get It. High-energy physicist Robert Golka was granted a lease...
![Project Tesla]()
- 1983

Happenstance (part one of many parts)
Happenstance (part one of many parts)01983HD
The associative stream of images and sounds treats the word as an abstract structure. Spoken and written text flows from image to image, morphing...
![Happenstance (part one of many parts)]()
- 1979

Soundings
Soundings01979HD
Two color video cameras, two microphones, Dave Jones prototype modules (input amplifiers, variable soft/hard keyers, output amplifier,...
![Soundings]()
- 1980

Processual Video
Processual Video01980HD
This piece was originally planned by the artist as a reading for the Viewpoint series at New York’s Museum of Modern Art. “It was an...
![Processual Video]()
- 1978

Elements
Elements01978HD
One of the earlier works Hill produced on the Rutt/Etra video synthesizer, Elements combines abstract “landscapes” with fragmented...
![Elements]()
- 1977

Bits
Bits01977HD
Our visual field is dominated by gossamer layers that become distorted in fluid motion, break off, begin anew and continually change color. As we...
![Bits]()
- 1981

Videograms
Videograms81981HD
1980-81, 13:27 min, b&w, sound Videograms is an ongoing series of text/image constructs or syntaxes using the Rutt/Etra Scan Processor, a device...
![Videograms]()
- 1977

Bits
Bits01977HD
Our visual field is dominated by gossamer layers that become distorted in fluid motion, break off, begin anew and continually change color. As we...
![Bits]()
- 2012

Cutting Corners Creates More Sides
Cutting Corners Creates More Sides02012HD
Two channel video installation. A spoken text …rummages through piles of surplus; boxed accouterments and that unaccounted for...
![Cutting Corners Creates More Sides]()
- 1979

Objects with Destinations
Objects with Destinations01979HD
Objects from the artist’s studio (hammer, cathode ray tube, circuit board rack, chair, clip light) constitute the subjects for a series of...
![Objects with Destinations]()
- 1988

Disturbance (among the jars)
Disturbance (among the jars)01988HD
Disturbance (among the jars) is a multi-lingual adaptation of selected Gnostic texts from the Nag Hammadi library discovered in 1945/46. The...
![Disturbance (among the jars)]()
- 1989

Site/Recite (a prologue)
Site/Recite (a prologue)01989HD
With startling precision, Site/Recite moves across and around a table-top graveyard — bones, butterfly wings, egg shells, seed pods, crumpled...
![Site/Recite (a prologue)]()
- 1986

Mediations (towards a remake of Soundings)
Mediations (towards a remake of Soundings)01986HD
“The beginning of a remake of an earlier work [Soundings, 1979] in which I wanted to extend the reflexivity of each text in relation to the...
![Mediations (towards a remake of Soundings)]()
- 1988

Incidence of Catastrophe
Incidence of Catastrophe01988HD
In the video, Thomas the protagonist is played by Hill which confounds the self-reflexive nature of the book’s relationships all the more,...
![Incidence of Catastrophe]()
- 2000

Performative images. My skin its skin (per)forming another skin where I voice from
Performative images. My skin its skin (per)forming another skin where I voice from02000HD
DVD insert of monograph Gary Hill: Around & About: A Performative View containing a compilation of Hill's performance art.
![Performative images. My skin its skin (per)forming another skin where I voice from]()














